Title and Instrumentation | Instr/Descrip | Yr. | Time | Youtube | CD | Score | Rvws |
Extremities | large orchestra | 1989 | 12:04 | Vienna Modern Masters 3003 | -- | American Record Guide, July/August 1992, p. 245-6; WiredForSound |
Title and Score Excerpt | Instr/Descrip | Yr. | Time | MP3 | CD | Score | Rvws |
---|---|---|---|---|---|---|---|
Sunset Over Nonesuch Pond | cello duet | 2018 | 5:00 | -- | |||
Prokofiev Marches Out of the Grave | soprano saxophone and piano | 2003/05 | 1:15 | -- | Dorn/Needham Publications (Medfield, MA) | ||
Infection #1 in C Major | violin and piano | 1995 | 1:00 | -- | -- | ||
Time Lines | 2 recorders, 2 marimbas, double bass | 1994 | 4:00 | -- | -- | -- | |
Epitaph | alto sax, piano | 1991 | 6:04 | Dorn/Needham Publications (Medfield, MA) | -- | ||
Antiphone-Polyphone | 5 saxophones, electric guitar, percussion | 1989 | 7:00 | -- | -- | ||
There | solo flute | 1984 | 7:00 | -- | Download | -- | |
Untitled #2: An Interactuum | 2 vln, cello, DBass, 2 perc | 1986 | 6:30 | -- | -- | -- | |
3 Movements for 2 Clarinets | 2 clarinets | 1985 | 7:17 | -- | -- | ||
Fanfare for the Bears | 3 trumpets | 1981 | 1:00 | -- | -- |
Title and Score Excerpt | Yr. | Time | MP3 | Publ | Rvws |
Prokofiev Marches Out of the Grave | 2003 | 1:15 | -- | -- | |
Infection #1 in C Major | 1995 | 1:00 | -- | -- | |
Untitled #1 | 1984 | 1:00 | Amalgamate Sound 1993 (San Diego, CA) | ||
Fugue | 1982 | 0:45 | -- | -- |
Title and Score Excerpt | Tuned | Instr | Yr. | Time | MP3 | CD | Publ | Video |
For All the Victims | 22-ET | 'synthophone' | 2001 | 4:00 | -- | -- | -- | |
Variations on 'I Heard the Bells on Xmas Day' | 22-ET | 'organ, flute, harp, chimes, snare drum' | 2001 | 5:00 | -- | -- | -- | |
The Liberation of Gabrovo | 31-ET | 'piano' | 1994 | 4:00? | -- | -- | -- | |
Remembrance | 31-ET | 'piano' | 1994 | 1:00 | -- | -- | -- | |
Neo-Romantic Postmodern 'Artiste' | 19-ET | 'organ' | 1995 | 3:00 | -- | -- | -- | |
Pre-Modern Romantic Composer | 22-ET | synth & 'piano' | 1996 | 5:00 | -- | -- | -- | |
Endangered Species | 20 JI | 20-JI guitar and 'organ' | 1997 | 5:00 | -- | -- | ||
Coffee Blues | 22-ET | guitar | 1997 | 3:00 | -- | -- | -- | |
Looking Forward | glissandi and 12-ET | organ | 1995 | 5:00 | -- | -- | -- | |
Voice of Iraq | 27.35-ET | voice & 'cello' | 1999 | 3:00 | -- | -- | -- |
Title and Score Excerpt | Equipment | Year | Time | MP3/Youtube | CD | Score | Rvws |
Branchings | sequencer plays synthesizer/effect processor | 1993 | 18:30 | -- | -- | -- | |
Untitled #3: A Transcendental Etude | sequencer plays electronic piano | 1987 | 7:00 | Vienna Modern Masters 2008 | -- | Computer Music Journal, Summer 1993, pp. 98-99 Music Technology magazine, Oct. 1989 Minnesota Composers Forum News, Dec. 1994, pp. 9-11 The Buffalo News (Buffalo, NY), June 9, 1988, p. B14 | |
Untitled #4: Adventures of Smiley | sequencer plays synthesizers and effect processor | 1989 | 2:30 | -- | -- | -- | |
ZEN wRAP | speech, analog synthesizer, effect processor | 1990 | 3:15 | -- | -- | -- | |
L'homme concrète | processed natural sounds, feedback | 1990 | 3:16 | -- | -- | -- |
Title and Score Excerpt | Instr/Descrip | Yr. | Time | MP3 |
Aki No Iro | Japanese voice, piccolo, shamisen, synthesizer | 1990 | 8:00 |
Title | Instr/Descrip | Yr. | Time | MP3 | Video |
Femocity | trumpet, tenor sax, el. bass, drums | 1995 | 5:00 | -- |