WiredForSound
| Title and Instrumentation | Instruments | Year | Time | Youtube | CD | Score | Rvws |
| Extremities | large orchestra | 1989 | 12:04 | |
Vienna Modern Masters 3003 | -- | American Record Guide, July/August 1992, p. 245-6; WiredForSound |
| Title and Score Excerpt | Instruments | Year | Time | MP3 | CD | Score | Rvws |
|---|---|---|---|---|---|---|---|
| Postlude on a Theme by Brahms | organ | 2020 | 3:00 | |
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| Sunset Over Nonesuch Pond | cello duet | 2018 | 5:00 | |
-- | -- | -- |
| Five Halves for Ben | violin duet | 2016 | 1:00 | |
-- | -- | -- |
| Prokofiev Marches Out of the Grave | violin and piano | 2005 | 1:15 | |
-- | -- | |
| Prokofiev Marches Out of the Grave | soprano saxophone and piano | 2003/05 | 1:15 | |
-- | Dorn Publications | |
| Infection #1 in C Major | violin and piano | 1995 | 1:00 | |
-- | -- | |
| Time Lines | 2 recorders, 2 marimbas, double bass | 1994 | 4:00 | |
-- | -- | -- |
| Epitaph | alto sax, piano | 1991 | 6:04 | ALL |
Dorn Publications | -- | |
| Antiphone-Polyphone | 5 saxophones, electric guitar, percussion | 1989 | 7:00 | ALL |
-- | -- | |
| There | solo flute | 1984 | 7:00 | |
-- | Download | -- |
| Untitled #2: An Interactuum | 2 vln, cello, DBass, 2 perc | 1986 | 6:30 | ALL |
-- | -- | -- |
| Sonata for Cello and Piano I. Grave (4:00) II. Giocoso (2:41) |
cello, piano | 1985 | 7:00 | |
-- | -- | -- |
| 3 Movements for 2 Clarinets | 2 clarinets | 1985 | 7:17 | |
-- | -- | |
| Fanfare for the Bears | 3 trumpets | 1981 | 1:00 | |
-- | -- |
| Title | Instruments | Year | Time | MP3 | CD | Publ | Rvws |
| Angleomatic Potoscope | baritone, piano | 2006 | 3:26 | |
-- | -- | -- |
| Chindogu Colony | baritone, piano | 2006 | 2:55 | |
-- | -- | -- |
| Should I Pull the Plug on You? | baritone, piano | 2006 | 4:33 | |
-- | -- | -- |
| Undertow | soprano, violin, cello, piano | 1989 | 2:00 | ALL |
-- | Amalgamate Sound 1993 (San Diego, CA) | Daytona Beach News-Journal, Sunday, July 2, 1989, p. 5H |
| Pictures of a Musician | tenor, flute, alto sax, piano, percussion | 1987 | 19:00 | |
-- | -- | -- |
| Title | Voices & Instruments | Lyrics | Year | Time | Video or Audio |
| Make A Joyful Noise | soprano, alto, tenor, bass & pipe organ | from Psalm 100 | 2020 | 0:47 | |
| Come And Rest | soprano, alto, bass & piano | Marcia McFee | 2016 | 1:29 | |
| There's A Path | soprano, alto, bass & piano | Marcia McFee | 2016 | 2:53 | |
| Vote For Steve (a Handelian fugue exposition) | soprano, alto, bass | Harold Fortuin | 2015 | 0:42 | |
| Title and Score Excerpt | Year | Time | MP3 | Publ |
| Balkan Sway | 2025 | 0:50 | |
-- |
| Whimsy | 2020 | 1:40 | |
-- |
| C.W., A Musical Portrait | 2019 | 5:01 | |
-- |
| E.S., A Musical Portrait | 2019 | 2:15 | |
-- |
| Three Fifths for Sophia | 2018 | 1:33 | |
-- |
| Five Thirds for Teddy | 2018 | 1:12 | |
-- |
| Wistful | 2017 | 1:26 | |
Fortuitous Artists Publications & SheetMusicPlus |
| Ballad | 2015 | 4:02 | ALL |
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| Neoclassical Sonatina I. Andante (1:35) II. A Rowboat In the Moonlight (2:00) III. Rondo-Finale |
2012 | 10:00 | |
-- |
| Five Halves for Ben | 2010 | 0:33 | |
-- |
| Prokofiev Marches Out of the Grave | 2003 | 1:15 | ALL |
-- |
| Infection #1 in C Major | 1995 | 1:00 | |
-- |
| Troubles with the Gas Lamp | 1990 | 1:00 | |
-- |
| Untitled #1 | 1984 | 1:00 | ALL |
Amalgamate Sound 1993 (San Diego, CA) |
| Fugue | 1982 | 0:45 | ALL |
-- |
| Title and Score Excerpt | Tuned | Instruments | Year | Time | MP3 | CD | Publ | Video |
| For All the Victims | 22-ET | 'synthophone' | 2001 | 4:00 | |
-- | -- | -- |
| Variations on 'I Heard the Bells on Xmas Day' | 22-ET | 'organ, flute, harp, chimes, snare drum' | 2001 | 5:00 | |
-- | -- | -- |
| The Liberation of Gabrovo | 31-ET | 'piano' | 1994 | 4:00? | |
-- | -- | -- |
| Remembrance | 31-ET | 'piano' | 1994 | 1:00 | |
-- | -- | -- |
| Neo-Romantic Postmodern 'Artiste' | 19-ET | 'organ' | 1995 | 3:00 | |
-- | -- | -- |
| Pre-Modern Romantic Composer | 22-ET | synth & 'piano' | 1996 | 5:00 | |
-- | -- | -- |
| Endangered Species | 20 JI | 20-JI guitar and 'organ' | 1997 | 5:00 | |
-- | -- |  |
| Coffee Blues | 22-ET | guitar | 1997 | 3:00 | |
-- | -- | -- |
| Looking Forward | glissandi and 12-ET | organ | 1995 | 5:00 | |
-- | -- | -- |
| Voice of Iraq | 27.35-ET | voice & 'cello' | 1999 | 3:00 | |
-- | -- | -- |
| Title | Tuned | Instruments | Year | Time |
| Elegy for Syria | 24-ET | viola, double bass | 2014 | 1:22 |
| Title and Score Excerpt | Equipment | Year | Time | MP3/Youtube | CD | Score | Rvws |
| Branchings | sequencer plays synthesizer/effect processor | 1993 | 18:30 | ALL |
-- | -- | -- |
| Untitled #3: A Transcendental Etude | sequencer plays electronic piano | 1987 | 7:00 | ALL |
Vienna Modern Masters 2008 | -- | Computer Music Journal, Summer 1993, pp. 98-99 Music Technology magazine, Oct. 1989 Minnesota Composers Forum News, Dec. 1994, pp. 9-11 The Buffalo News (Buffalo, NY), June 9, 1988, p. B14 "..groundbreaking.."Chamber Music, Aug. 2002 @new-classics.co.uk |
| Untitled #4: Adventures of Smiley | sequencer plays synthesizers and effect processor | 1989 | 2:30 | ALL |
-- | -- | -- |
| ZEN wRAP | speech, analog synthesizer, effect processor | 1990 | 3:15 | |
-- | -- | -- |
| L'homme concrète | processed natural sounds, feedback | 1990 | 3:16 | |
-- | -- | -- |
| Title and Score Excerpt | Instruments | Year | Time | MP3 |
| Aki No Iro | Japanese voice, piccolo, shamisen, synthesizer | 1990 | 8:00 | |
| Title | Instruments | Year | Time | MP3 | Video |
| Femocity | trumpet, tenor sax, el. bass, drums | 1995 | 5:00 | |
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